On the fifth of December 2024, a major newspaper published the front-page story “Insurance CEO Shot Dead In Manhattan”. The article then noted that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a killer who then walked coolly away”. The daytime killing was indeed both cold and shocking. But numerous US citizens reacted differently: for those who faced insurance rejections or faced exorbitant healthcare costs, the news felt cathartic. Social media blew up. One comment stated: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the artificial intelligence system the insurance company created to increase earnings on your health.”
Less than a week after, Luigi Mangione, a good-looking, 26-year-old University of Pennsylvania graduate with a master’s in computer science, was arrested at a fast-food restaurant in Altoona, Pennsylvania. He awaits trial on criminal counts of murder, with the district attorney seeking the capital punishment. So who is Mangione? And what drove the alleged crime? These are the questions John H Richardson attempts to answer in an investigation that delves into wider topics, too.
A journalist for Esquire magazine, Richardson devoted considerable time to studying the groups that exist in the hidden parts of the internet, producing articles about people “cursed with realistic fears about an apocalyptic future”. To uncover “the making” of his subject, Richardson first examines Mangione’s wide-ranging book list. We learn that “[when] he was arrested, Luigi had a list of nearly three hundred titles on a reading platform”. Their content covered climate change to masculinity, along with a “emphasis on his own personal growth, both body and mind”. Additionally, Richardson sifts through his correspondence with influencers and authors as well as his many updates on social media. These primary sources, meant to paint a portrait of Mangione, instead present him as an unclear character. Richardson attempts to explain this by proposing that “Luigi’s mystery, in fact, is what gives him a little of that old trickster magic”. Throughout the book, Richardson tries to frame his subject in symbolic roles.
Mangione is deeply anxious about the world around him, one where ‘change is rapid whether we like it or not’
As for “the meaning” of the title, Richardson uses as a clue three words – “delay”, “refuse” and “depose”, engraved on the bullets left behind at the crime scene. These are the terms occasionally employed by medical insurers to deny coverage. He looks at the indication Mangione suffered from a long-term spinal issue, which could have been a reason for an attack, but discovers no confirmation; instead, what significance there is seems to rest in Mangione’s philosophical dread about the world around him, one where “the pace is quickening whether we like it or not, sliding faster and faster to the edge”; a world where the general belief seems to be that AI is going to eventually either dominate, or eliminate humanity, or both.
Notably missing from the book are conversations with the key individuals. Richardson asked, of course, but did not anticipate time with Mangione himself. And his relatives stated explicitly that they had chosen not to talk to the media in prior to the trial. Another glaring gap is any detailed data about the victim, Thompson, though we learn that under his leadership, from 2021 to 2023, UHC profits rose significantly.
By the conclusion, the reader has little insight of Mangione’s personality or what could have driven his alleged crimes. More troubling, Richardson’s apparent empathy for him gives the reader the disturbing feeling of having been exposed to a subtle approval of an assassination. In the book’s closing remarks, Richardson presents his mythical interpretation: “We’ve entered a era of stories, the mad king, the beast in the labyrinth and the emperor without clothes.” In that tale “outlaw heroes come with a beautiful promise … They arrive in times of social turmoil, when the people are suffering and nothing makes sense anymore.”
One thing is certain: as Mangione’s legal representatives continues in its attempts have accusations that could lead to the death penalty dismissed, any mention of fables, Robin Hoods, champions or villains will not be admissible as evidence in defence of this attractive individual with a “features reminiscent of classical art” facing judgment for murder.
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Brian Hernandez
Brian Hernandez
Brian Hernandez
Brian Hernandez