Esteemed author Paul Bailey, who passed away last year at 87, was celebrated for a humorous talent, intense sympathy including for his most flawed characters, and an intelligence that avoided being sterile. His literary works repeatedly investigated the power of memory within personal journeys, propelled by sharp, rhythmic dialogue. Beyond novels, he also excelled as a poet, memoir writer, and additional roles—here is a guide to the volumes he authored.
Paul Bailey proved a social being, a skilled communicator with a love for casual small talk, according to a fictional persona. He and friend author Beryl Bainbridge used to view the serial drama Coronation Street and analyze it telephonically. This fondness for gossipy exchanges shines through in his fictional works Trespasses (1970) along with Peter Smart’s Confessions (dating to 1977). Each includes a main male protagonist besieged by humorous, irritating, exaggerated personalities, often close relatives whose impact cannot be avoided. “What’s so great about being normal?” queries Ralph’s mother in Trespasses after he discloses his homosexuality. Like an evening with your most clever, daring companion.
The novelist penned superbly on old age, throughout his literary path. His debut novel At the Jerusalem (from 1967) follows the journey of Faith Gadny as she adjusts to an old people’s residence, in which other inhabitants offer warmth lacking from staff, whose concern by asking “Why not view the TV, ladies?”. In the novel before his final Chapman’s Odyssey (from 2011), an elderly hospitalized man alternates between arguing with doctors (“I consume only fine wines”, he insists when scolded for liver results) and experiencing a rush of recollections from his parent, romances, fictional icons such as Pip from Dickens or Emma from Austen. Both books contain comic interactions yet shadowed by impending endings. Throughout his novels, grins are unreliable. In At the Jerusalem, “the matron beamed, then stopped suddenly”; The character giggles with unease upon challenge to her conduct. In that novel, Harry advises that “my laughter is not genuine”. The audience’s grins, though, are real.
In addition to fiction, Paul Bailey served as a gifted memoirist, publishing two autobiographies. An Immaculate Mistake (1990) is a masterwork of reminiscence, the heading taken from his mother’s words labeling him an “accident” and questioning his presence. (“Elderly, she disclosed hidden truths,” he comments. “This secret, she realized, would intrigue me.”) Here we see the origins of flawed, caring, annoying mothers and fathers in his novels. It also paints a moving picture of a gay youth in that era, when homosexuality was illegal, and his family found it odd for a boy to buy his mother flowers; and of a hopeful performer (Bailey acted prior to authoring) who could recite Hamlet as a teen. His subsequent life story A Dog’s Life (from 2004) focuses on existence alongside his mixed-breed dog Circe, his ex-partner David, his love for Romania—which motivated subsequent books such as Kitty and Virgil, the title Uncle Rudolf, plus The Prince’s Boy—and heaps of rumors, with a story about Iris Murdoch labeling a listener a “foolish person”.
Paul Bailey’s books are mostly concise—the powerful Old Soldiers (from 1980) is just over 100 pages—yet for an even briefer option, sample his verse from later years. The two books the poetry collection Inheritance (from 2019) along with the title Joie de Vivre (from 2022) showcase his humor, compassion, accuracy in brief format. These verses are full of death and life. Two romantic motifs repeat: for his mother (“Now I’m closer—/ I have to say—/ than in life”) and for his partner Jeremy Trevathan. In Amazement, he depicts the happiness from viewing “a silly TV show” as a couple, finishing with: “It’s amazing, somehow, to eat cheese and sip wine while the world darkens.”
It is widely accepted that Bailey’s most ambitious novel remains Gabriel’s Lament, shortlisted for the Booker prize in 1986. (He also judged the prize in 1982, a role he disliked.) This novel the author was most proud of, even though “it consumed all his energy”. It tells Gabriel Harvey’s story, whose mum disappears while his dad transforms into an unbearable snob after inheriting wealth, with possible connections. It acts as a representation of the city in that era, a story of mental breakdown, and equally humorous and sorrowful similar to his entire output. For more, it inspired a follow-up, Sugar Cane (1993), that he investigated by attending brothels to observe.
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Brian Hernandez
Brian Hernandez