The real-life crime genre has an innovative format, or perhaps even a whole new language and structure: police body cam footage. Countenances of those harmed, observers and potential offenders appear suddenly to the cameras, at times in the harsh glare of vehicle beams or torches as the police arrive, their faces and voices expressing caution or panic or indignation or dubiously feigned naivety. And we frequently incidentally glimpse the expressions of the officers themselves, one standing by blankly while the other conducts the inquiry with what occasionally seems like extraordinary diffidence – though maybe this is because they are aware they are being recorded.
We have already had the streaming service real-life crime film American Murder: Gabby Petito, about the slaying of an social media personality by her partner, whose main point of interest was officer recordings and in which, as in this film, the law enforcement seemed extraordinarily lax with the suspect. There is also the acclaimed short film Incident by Bill Morrison, made exclusively of officer footage. Now comes Geeta Gandbhir’s documentary about the grim case of Ajike Owens in a city in Florida, a woman of colour whose children reportedly bothered and tormented her white neighbour, Susan Lorincz. In 2023, after an escalating series of neighbour-dispute incidents in which the authorities were repeatedly called, the accused fatally shot Owens through her locked door, when the victim went to Lorincz’s house to address her about throwing objects at her children.
The arresting officers found evidence that Lorincz had done internet searches into Florida’s “stand your ground” laws, which permit residents and others to shoot if there is a reasonable belief of danger. The documentary builds its story with the body cam footage generated during the multiple officer calls to the scene before the killing, and then at the horrific and chaotic crime scene itself – prefaced by 911 audio material of the caller calling the police in a dramatically trembling voice. There is also jail video of Lorincz which has a chilly, queasy fascination.
The film does not really imply anything too complex about the neighbor, or any extenuating circumstance. She is obviously disturbed, although the kids are heard calling her a derogatory term, an hurtful taunt. The film is showcased as an illustration of how self-defense regulations lead to unnecessary and heartbreaking violence. But the fact of gun ownership and the second amendment (that historic American constitutional privilege that a late commentator notoriously said made firearm fatalities a necessary cost) is not much highlighted.
It is possible to watch the officer questioning segments here and feel astonished at how little interest the officers took in this point. When did she buy her gun? Did she receive any instruction on handling it? Was this the first time she discharged the weapon? Where did she store it in the house? Was it just on the couch, loaded and ready? The police aren’t shown asking any of these surely relevant questions (though they could have inquired in recordings that were not included). Or is possessing a firearm so commonplace it would be like asking about microwaves or bread heaters?
For what appeared to her local residents a very long time, the suspect was not even arrested and charged, only detained and even provided accommodation away from home for the night (another point of comparison, incidentally, with the Gabby Petito case). And when she was ultimately formally arrested in the detention area, there is an remarkable scene in which the individual simply declines to rise, will not extend her arms for the handcuffs, not aggressively, but with the courteously pathetic demeanor of someone whose psychological state means that she is unable to comply. Did the gentle handling up until that point led her to think that this could be effective?
It didn’t; and the panel's decision is saved for the end titles. A deeply sobering portrayal of American crime and punishment.
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Brian Hernandez
Brian Hernandez
Brian Hernandez